Previz/Learn

    Read before you shoot.

    What previs is and what it settles, the named moves of the craft, the words the work uses, and the arguments behind the product — written to be worth reading whether or not you ever open a studio.

    Pre-production is where a film is decided and where most of its money is committed, and almost none of it is written down for the people who are new to it. A producer meets the word animatic on a call and does not ask. A brand team is shown a storyboard and assumes the shot has been designed. A director says Rembrandt and the room nods. The pages here are an attempt to write the craft down plainly: what the planning documents are and what each one actually promises, what the named camera and lighting moves do to a frame, what the vocabulary means, and what we have learned building a platform that makes those decisions earlier and holds them. Each page ends in the studio that does the thing, but none of them needs the studio to be useful.