Previz for studios and brands
Seats by card from $450 a creator seat, a scoped pilot with our team, or a full production engagement. Below that: where the platform fits in a production, what your legal team can verify, and how a pilot runs.
Seats for teams
A creator seat is $450 a month; viewer and reviewer seats are free and credits pool across the account. Up to 24 seats check out by card today. The seat rate, the volume bands and your total are shown after five fields, with no account needed.
Get seat pricingOne sequence, with our team
Scope, build, review, roll out. One sequence or one campaign on real work, a cost breakdown against the ceiling, and the pilot fee credited when the wider team comes on. How it runs is set out at the bottom of this page.
Book a demoPlatform, studio and talent
When a brand needs more than software: the platform, an embedded production team and the talent roster under one engagement, from previz to delivery. A proposal usually takes under a week.
See what it includesPipeline coverage
Previz covers a production from the first board to the premiere. The three lanes read from the same production, so a decision made in one applies to the others.
Direction
Seeing the film before it is shot.
- +Storyboards timed into animatics, so pacing is judged before shooting
- +Blocking and choreography staged in three dimensions and refined per take
- +Locations rendered inside the sequence, in the production's look and light
- +Hero props and signature objects explored in form, material and scale
- +Hair, makeup and character states held consistent across scenes and phases
- +Atmosphere and weather tested until the conditions serve the scene
Greenlight & marketing
Greenlight decisions and marketing material.
- +A property opened into a look and a boarded sequence before development money moves
- +Key art directions compared before photography or illustration is bought
- +Gallery photography planned so every setup on the day is already chosen
- +Premieres and installations staged in the venue before fabrication
- +Concession collectibles and packaging visualized as one campaign
- +Brand partnership executions shown to the partner as finished frames
Production planning
Turning the plan into a schedule.
- +A numbered shot list with a frame against every line, built from the script
- +Coverage in one pass (wide, medium, close, insert) from the same blocking
- +Continuity locks that carry cast, wardrobe and sets across every board
- +Cost quoted before every render, with ceilings a job cannot bill through
- +A decision trail that survives a change of team mid-production
What an enterprise engagement includes
Six parts. The proposal lists which ones you need and what each costs, before anything is signed.
Walled-garden tenancy
Private deployment paths — dedicated tenant, VPC, or on-prem. Your scripts, frames, and IP never train public models.
Engine orchestration, tuned to you
99 engines routed per shot for quality, speed, and compliance — with named-vendor exclusions enforced per tenant.
Rights, handled properly
Verified-likeness licensing live in the AIM ecosystem today (Ghost Influencer), with a native platform rights layer on the funded roadmap.
Team-scale collaboration
Seats, roles, client review portals, shareable cuts, and audit trails built for production teams — not prosumer accounts.
Onboarding and dedicated support
White-glove pipeline integration, format and export mapping, and support and availability terms agreed in your engagement.
A production arm, not just software
AIM World — the studio behind work for Nike, Toyota, L'Oréal, and Google — can run previz or full production alongside your team.
The full security posture is public: read the deployment and isolation model, or check the claims against the trust centre.
Governance
A contract clause is a promise about behaviour. What follows is the behaviour itself, measured in the product and reported per asset.
Policy enforcement
A client contract that restricts where inference may run becomes a routing policy. It is resolved from the production the work belongs to and checked at the call site, before the job runs and before it bills. 64 of 64 generation lanes sit behind that gate today. The number is measured by a build guard, not asserted by this page: a lane outside the gate fails the guard.
Per-asset provenance
The Provenance Pack records, per asset: which engine made it, operated by whom, in which jurisdiction, under which policy. Every line carries an evidentiary grade: recorded from a persisted row, derived from a lane's declaration, or unknown with the full candidate set listed. Gaps are stated, not filled in. It prints for counsel and exports as a manifest with a SHA-256 integrity checksum. It is labelled a checksum, not a signature, because it proves the file is unaltered, not who wrote it.
Operator register
Engine operators are recorded with their jurisdiction. Where a classification could be doubted, the entry cites the public company register, including the registration number, so counsel can verify the claim against records we do not control. An operator we could not establish to that standard is marked unverified and excluded by restrictive policies.
The full engine index, operator by operator, is in an access-controlled room opened during diligence. The trust centre is public.
Frames made in Previz. Each can state which engine made it, the operator and the jurisdiction. The controls below are enforced against that record.
Controls
Access, isolation, retention and cost, each enforced in the product. The answer to a security questionnaire is a screenshot, not an assurance.

Per-project access
Membership is granted per production, and a shared library never implies shared editing rights.

Tenant isolation
Assets are stored under an owner and a production, with policies enforced at the database rather than the interface.

Zero training, zero retention
Client material is not used to train models and is not retained by the engines that render it.

Decision trail
Approvals, rejects and regenerations are recorded per shot, so an audit does not depend on memory.

Cost ceilings
Per-engine ceilings and daily caps stop a runaway job before it becomes an invoice.

Managed onboarding
A pilot runs with our team present, on your slate, your look and your naming conventions.
Platform, studio, and talent
under a single engagement.
Production Studio combines the AIM Previz platform with an embedded production team and access to the ATRBUTE talent roster. One contract, one point of accountability, end-to-end delivery.
AIM Previz
The Platform
The same platform every plan gets, with custom volume credits, the highest render-queue priority, dedicated support, and a direct line to our engineering team. Service levels are agreed in your engagement. SAML/OIDC single sign-on is on the enterprise roadmap — tracked openly in the trust centre.
- +Custom volume credits
- +Highest queue priority
- +Dedicated support
- +Terms agreed per engagement
AIM Studios
Your Embedded Team
A senior production team on retainer — producer, director, editor, colorist. Embedded with your brand, working on the platform alongside you or executing end-to-end on your behalf.
- +Named Creative Director
- +Producer + editor + colorist
- +48-hour first-cut guarantee
- +Unlimited revisions on scope
ATRBUTE
Roster on Retainer
On-demand access to ATRBUTE's roster — directors, photographers, VFX, CGI studios, muralists. Direct relationships with Universal, Netflix, Chanel, Nescafé, and Absolut — and image-makers from Platon, Marco Grob, Stephen Wilkes, Erwin Olaf, Tristan Eaton to Refik Anadol.
- +Director & DP booking
- +VFX / CGI / animation studios
- +Talent likeness rights
- +On-set previz integration
Backed by AIM World's shipped campaign work for Nike, Toyota, L'Oréal and Google — and ATRBUTE's direct relationships with Universal, Netflix and Chanel, from Platon to Refik Anadol.
A model no other platform offers.
What an engagement produces
Frames made in Previz. Campaign and title work is scoped, boarded and delivered on the same platform an engagement gives your team.
How a pilot runs
01Scope
One sequence or one campaign, agreed in writing, with a date and a named deliverable.
02Build
We produce it with your team, on real work rather than a sandbox.
03Review
Delivery, a cost breakdown against the ceiling, and a written account of what did not fit.
04Roll out
Seats, libraries and access model for the wider team, with the pilot fee credited.