Previz/Techniques/Lighting · Basic

    Golden Hour

    Golden Hour is a lighting technique: The hour after sunrise or before sunset. Low, warm, and very soft — flattering to almost everything, which is why it is worth the wait. In PREVIZ picking it sets the lighting mood in Keyframe, Director and Infinitum.

    by the PREVIZ team

    What it does to the frame

    The hour after sunrise or before sunset. Low, warm, and very soft — flattering to almost everything, which is why it is worth the wait.

    Reads as
    Romantic, Nostalgic
    Difficulty
    Basic
    Runs in
    Keyframe · Director · Infinitum
    The control it moves in PREVIZ
    • Lighting moodDirector

      Golden Hour

      Warm, low-angle sunlight with long shadows and golden tones.

      Key-to-fill 2:1 · 3500K warm

      Best for: Romance, Establishing shots, Portraits

    Picking the technique sets these controls; it does not paste text into a prompt. The setting can be re-run, checked against the settings beside it, and carried into the next shot.

    Never with

    These contradict Golden Hour on a physical dimension; the library refuses the pair rather than letting one silently win.

    Blue HourIntermediate · Nostalgic, Artistic
    The twilight window after the sun is gone but before full dark. Cool, even, and just bright enough to hold detail in the sky.
    Harsh NoonIntermediate · Documentary, Dramatic
    Overhead midday sun. Short hard shadows and blown highlights — usually avoided, which is exactly why it reads as unglamorous and real.

    Also in lighting

    Where the light comes from and what it leaves in shadow — the setups and the moods of the day and the night.

    ChiaroscuroAdvanced · Dramatic, Artistic
    Extreme contrast between light and dark with very little in between. Borrowed from Baroque painting; the darkness does as much work as the light.
    Rembrandt LightingIntermediate · Dramatic, Cinematic
    Key light high and to one side, leaving a small triangle of light on the shadowed cheek. The classical portrait setup.
    Split LightingIntermediate · Dramatic, Horror
    The light comes from ninety degrees to the side, so half the face is lit and half is in shadow. Reads as division or duplicity.
    Butterfly LightingIntermediate · Romantic, Cinematic
    Key light high and dead centre, casting a small butterfly-shaped shadow under the nose. The classic glamour light.
    Rim LightBasic · Cinematic, Dramatic
    Light from behind that traces a bright edge around the subject, separating them from the background. Almost every night exterior uses it.
    SilhouetteIntermediate · Artistic, Dramatic
    The subject is unlit against a bright background, reduced to outline. Identity withheld — shape carries the whole shot.
    Under-LightingBasic · Horror
    Light from below the face, inverting every shadow you expect. The campfire-story look, and the fastest way to make a face read as wrong.
    Practical LightIntermediate · Cinematic, Documentary
    The scene is lit by lamps, screens and signs that are visible in the shot. Motivated light — the viewer can see where it comes from.
    Neon LightingIntermediate · Cinematic, Artistic
    Saturated coloured light from signage, usually two clashing hues. The look of a city at night in almost every film made since 1982.
    CandlelightAdvanced · Romantic, Nostalgic
    Lit only by flame. Very warm, very soft, and falls off fast — faces glow and everything a metre away is gone.
    MoonlightIntermediate · Horror, Artistic
    Cool, dim, directional light with deep shadows. Cinema's moonlight is a convention — real moonlight is far dimmer and has no colour at all.
    High KeyBasic · Romantic, Documentary
    Bright and evenly lit with almost no shadow. The look of comedy, commercials and daytime television — nothing is hidden.

    Reads the same way

    Other techniques that read as romantic or nostalgic — a light or a lens to pair with this move.

    Shallow FocusBasic · Cinematic, Romantic
    Only a thin slice of the scene is sharp. Isolates the subject from its surroundings and is most of what makes an image read as 'cinematic'.
    Vintage GlassIntermediate · Nostalgic, Romantic
    Older uncoated lenses: lower contrast, swirling backgrounds and flares that bloom easily. Imperfection used deliberately.
    HalationIntermediate · Nostalgic, Cinematic
    A red bloom around bright lights, caused by light scattering back through film stock. The signature of tungsten film shot at night.
    Film GrainBasic · Nostalgic, Documentary
    Visible photochemical texture. Reads as film rather than video, and hides the plastic smoothness generated images tend toward.
    DiffusionBasic · Romantic, Nostalgic
    A filter that lifts blacks and blooms highlights, taking the edge off digital sharpness. The standard way to soften a face.